Most of what this site says is an argument. Some of it is a story, and a story with a cast is remembered where an argument is filed. This is where the stories are kept: a cast of nine, a workflow that starts with the narrative and ends with an image model, and 6 storyboards so far, 2 of them drawn.
The articles on this site carry stories already: a rep who asked for a draft and got a sent email; a pilot that worked until somebody asked what else it could do; a calendar tidied into a mess with no undo; a risk that sat on a desk for a week and moved up on its own. Told with the same cast each time, they become one world a reader can walk into, and each new story costs less to tell than the last.
The order matters. The lead’s instruction is the film industry’s: story first, then the narrative, then the punchline, then the cast, then the storyboard. The image models come last, and there are several to try, not one. A storyboard is the artefact that makes that possible: panel by panel, who is in it, what they say, what the caption carries, and the prompt each panel becomes. It can be handed to any model, and it is the thing to argue about before anything is drawn.
One thing that happens to somebody. Usually it is already in an article, as an example.
The order it is told in, and the moment the reader learns what the character learns.
One line, true and dry, that the reader would repeat. It goes under the strip.
Who is in it, from the nine below. A new character is a decision, not a convenience.
Panels: scene, action, dialogue, caption. Written here, as data, and read against the site’s rules.
One prompt per story, one line per panel, in the cast’s style, for whichever image model is being tried.
Drawn, then checked against the storyboard and the rules, with what to correct written beside it.
On the story’s page, in the article it came from, and, one panel at a time, on a shirt.
Version v0.1, drawn by a ChatGPT image model on 26 September 2026 from the lead’s prompt. The names, roles and lines are as drawn; what each one stands for is ours, so that a story can be written against the model on this site rather than against a picture.
The people
The things
Proposed, not drawn
The style, for any model: Clean line cartoon: thick ink outlines, flat fills, no gradients. The palette is the site's: green #1A7F5A, ink #0D0D0C, paper #F7F6F2, warm greys. An office with plants and pale wood. Everybody wears something green. Speech in rounded bubbles, British spelling. Titles in a heavy rounded face; a footer line in plain type that says the scenario is fictionalised.
Each has its page: the truth under it, the storyboard panel by panel, the prompt for an image model, and, where a model has drawn it, the picture and what to correct.
An approval prompt is not a human in the loop.
Dev, The Caretaker, The Boundary.
Delete is recoverable. Edit is forever.
Leo, The Caretaker, The Inbox.
A send button is not a mandate.
Maya, The Caretaker.
Good intentions. Excess reach.
Maya, The Caretaker.
Silence is not a decision. It is an escalation.
Imani, Leo, Rowan, Ruth.
Then somebody asked what else it could do.
Rowan, Imani, The Caretaker, Dev.
If one of yours has a rep, a founder, a risk owner and an agent in it, it is a storyboard already. Send the story and the punchline; the cast will do the rest.